May. 3rd, 2006

divalea: (hurt comics)
ADDED:
Heidi at THE BEAT says:
"Over at her blog, Lea Hernandez has been drawing attention to the fact that this year's SDCC has no announced female guests. Today, Jackie Estrada responds, basically saying they invited Gail Simone but she didn't want to come she has not yet accepted the FINAL guest list has yet to be announced."

Heidi, Jackie says no such thing. (At least not to me.) She says "Yes, we have recently invited female guests for CCI who have turned us down or had scheduling conflicts. And we do have some female guests (both our own and sponsored) for 2006 that haven't been officially announced yet."

Heidi says, "Hernandez makes some good points afterwards, but we're still too pooped to do a big long cut'n'paste so just go read the whole thing yourself."

Can't argue with that. So, if you're here from The Beat, Hello!

END ADD.

Here's Jackie's email to me (she gave me permission to post it).
This is the full email. My only edit was to add spaces to her email to befuddle spambots. My ananswer follows.

I tried to post this as a response on your live journal site, but since I'm not a member, it wouldn't let me. Please feel free to post if for me--


Jackie Estrada here, chair of the Comic-Con International guest committee--which I have been for numerous years now. The guest committee also includes Fae Desmond (the executive director of CCI) and Sue Lord (the guest coordinator), along with other committee members.

Each year we come up with lists of people to invite who fit into various categories--from Golden/Silver Age, to Indie Comics, from comic strips to animiation/media--and who fit the themes and anniversaries that year. This committee also comes up with the proposed guests for APE and WonderCon. You will notice, for instance, at this year's APE the guests included Carol Tyler and Raina Telgemeier (accounting for half the guest list), while Ramona Fradon and Laura Allred were special guests at WonderCon (Marie Severin had to cancel at the last minute). Other APE guests in the last couple of years have included some of the names mentioned here, including Carol Lay, Alison Bechdel, and Chynna Clugston.

Over the past 20 years, I don't think you will find another comic-con in this country that has had more female creator guests than San Diego. In the last few years alone, CCI special guests have included Pia Guerra, Louise Simonson, Carla Speed McNeil, Devin Grayson, Jill Thompson, Phoebe Gloeckner, Gail Simone, Julie Doucet, Francoise Mouly, and Wendy Pini. We've also had women sf/fantasy writers, artists such as Rowena, and media greats like June Foray. (FYI: CCI has never had any actress/pinup/models as our official guests--only women who are actual creators.)

I'm not quite sure, why of all the guests CCI has had over the years, you select Harry Knowles as an example of who gets invited instead of women. Harry was a guest in 2000, and was specifically invited in relation to new media.

Yes, we have recently invited female guests for CCI who have turned us down or had scheduling conflicts. And we do have some female guests (both our own and sponsored) for 2006 that haven't been officially announced yet. But no, we don't sit down in our guest meetings and say, "Gee, what women should we invite this year?" (or "What gays should we invite this year?" or "What black creators should we invite this year?") As I said, we try to come up with guests who are appropriate to the year's themes, who haven't been invited to a CCI before or recently, and who may have new work coming out that will be of interest to attendees.

We try to have as diverse a guest list as possible, which is why this year you see names like Roger Langridge, Andy Runton, and Brian Fies along with Brian Bolland, George Perez, and Robert Kirkman from comics, plus folks like Peter S. Beagle, Basil Gogos, and Shag from other aspects of pop culture. And Comic-Con has more Golden and Silver Age guests than any con going, bringing in creators like Everett Raymond Kintsler who have never even been to a Comic-Con.

We are always open to suggestions for CCI guests. Our guest committee meetings to talk about 2007 guests are under way, so anyone who would like to see a particular creator as a special guest is welcome to e-mail me: jackiee @ mindspring . com. I will be happy to submit for discussion any names that I receive.

Jackie Estrada


Thanks for writing, I appreciate it. I also appreciate how carefully you chose your words.

The issue is not with the diversity of the work of the guests--it absolutely speaks for itself.
You're right, I did single out Harry Knowles, because that is one of the most head-scratchingest ever, at least by my standards.
In my opinion, Knowles stood for the worst in new media, and was (and is) representative of that part of the San Diego experience I like least, the locker room funk. The funk brought in with dot bomb exhibitors with bump 'n' grind dancers (like the one for farclub.com (RIP) across from my booth in 2000 that repelled women who wanted to visit me), models dressed as cheerleaders (ADV Films, 2004), two models dressed in midriff-baring "Incredibles" costumes (Disney 2004), countless "models" and booths selling nicely-framed and explicit prints of Manara and superheroines topless. (And these booths were uncurtained, unlike Fanta's and NBM's adult offerings.)

"media greats like June Foray. (FYI: CCI has never had any actress/pinup/models as our official guests--only women who are actual creators.)"
Uuuuuh, as far as I know Foray, awesome as she is, IS an actress, not a creator. Calling her a "media great", though completely true, doesn't make her a creator and not an actress.
Calling Harry Knowles a representative of New Media doesn't make him a creator, either. (And he isn't one.) It's good to see the "actual creator" standard applies equally to men and women.

I am specifically addressing CCI guest lists, though, not APE or WonderCon. This isn't to take anything away from those women or those conventions--but I'm talkin' about CCI here.
To include them is to consider them as CCI guests, which they are not. That's rather a dodge, in fact.
I did recognize the fact that the guest list at APE this year was half women. I also recognize that guest list is four guests.

My issue is also not with what women HAVE previously attended CCI--it is a stellar list. (I am not aware Gail was ever a Featured Guest at CCI, although I am now aware that she was invited and hasn't yet accepted. (Rather than declined, which is how I read what she said at other blogs, and she did not correct me.)) My discussion is RIGHT NOW THIS YEAR'S lack of women, plus CCI's historic habit of having one, perhaps two, women guests per year. (Last year: ONE, Pia Guerra.)

Regarding "Over the past 20 years, I don't think you will find another comic-con in this country that has had more female creator guests than San Diego"

That is a remarkably specific point you make there, which means I can't bring up the female guests of this year's Toronto ComicCon, which number around 25 (I kept losing count, thanks to the eyeball-bending link no link link colors of the list), when the female guest who is a model, not a creator, is excluded.
25 female guests in one year, out of a list of about 190. A 1 to 8 ratio. Pretty good.
In this country, there's CAPE! Of sixty guests, eight are women. A 1 to 7.5 ratio.

I'm glad to hear there are female guests to come. However, I was talking based on what I KNEW from reading the first CCI 2006 circular, which came with my pro reg packet, which is there is not a woman in sight.
I'm reasonably insightful, and possessed of a fairly good intuition, but I could not have possibly gleaned from the first circular anything regarding female guests but what I did. That, coupled with CCI's history with women guests, led me to write what I did. I've thought CCI has been derelict with regards to women for some time, and failed to speak up loudly enough to be heard, lest I be branded as "not nice" for saying so. (And, consequently, lose work and prestige.)

Unless, perhaps, CCI has gone DaVinci Cod judge and the first letter of the first word of each sentence spells out "WOMEN TO COME, PUT AWAY THE RAZOR FLAIL AND LEMON JUICE" and I missed that.

Finally, "...anyone who would like to see a particular creator as a special guest is welcome to e-mail me: jackiee @ mindspring . com. I will be happy to submit for discussion any names that I receive."

That's your cue, gentle readers.
Let's see if "Lea Hernandez, outspoken comics industry critic, manga and webcomics pioneer, is here to talk about her new books Ironclad Petal and Near-Life Experience Vol. 1" makes the CCI cut in 2007. Like Nixon, I'll be tanned, rested and ready.

EDITED: to correct that Gail Simone hasn't declined, nor yet accepted, her invitation to CCI, although I had not heard from her, nor Jackie, to correct my misapprehension. I learned it from The Beat. Huh.
divalea: (hurt comics)
I have to admit, regarding CCI 2006's lack so far of female Featured Guests that I did not consider a scenario where a woman guest was invited and hadn't accepted yet*, as Gail Simone (my "doesn't she freaking rate" example) has.*
That doesn't change the fact, though, that CCI historically has few female guests, and NONE AT ALL listed in their first update.

This is what Gail said in response to When Fangirls Attack link to my CCI rantifesto:
"I actually agree with her point, if I understand it correctly. But to be fair, I WAS invited to be a Featured Guest, so I may not be the best example to use in this particular case. But she wouldn't have known that and I think her point is valid regardless."

*Yes, I orginally said declined, because that's how I read Gail's response. My bad.
divalea: (make comics)
I have to pack for CAPE! tomorrow, leave Friday.

Today is Wednesday. Stupid pre-con panic for taking so long to kick in. I will throw books and drawing supplies in the big case today, try to find the beautiful white shirt Lisa sent me last year, and go over to Hobby Lobby for Foamcore to make a sign for my easel.
I have to figure out how to best display my sculpt of Agnes Quill at the show.

This would be the time to have someone drive me up to Dallas in an RV, so I could draw on the way, or just throw all my stuff in in a big heap and entertainment myself by sorting it on the drive. We'll ignore that it would use hilarious amounts of gas. This is, after all, a fantasy of traveling with elbow space to draw.

At least I now have the Boost Walkie-talkie so I can chirp King and the kids when I've bored, maybe give Lisa a ring. Taking my DVD player so I can at least listen to movies, and I'm burning an Audible book to CD.
I also have a Starbucks card from Jane Irwin (www.fierystudios.com) for refreshments on the way.
(Speaking of, Richard, if Jane's got a book to promote for next year, and there's a CAPE! Daughter of CAPE! she'd be a spanking guest. Lisa Jonte', too, to promote Arcana Jayne and GAM.)

EDIT: and print up those Rumble Girls notes and more Mr. Pluto. And bring "I'm Hurting Comics" buttons and my nifty-but-unpromoted Daruma and Neko button sets.

[livejournal.com profile] sclerotic_rings, you up for a small collatin' party Friday night? I gots a saddle stapler!
divalea: (make comics)
FOR IMMEDIATE RELEASE
(Please re-post, link to, and propogate at will.)

Women Webcomicker Grant NAN

I am Lea Hernandez. I am committed to being a webcomicker, and have been for over ten years. I put up my first webpage, Pink Radio, in late 1995. On this page was a link to a preview of "Monster Friday," a short story from the Japanese CD-ROM anthology ComicON Vol. 1. The Web is a force for equalizing audience access for women who want to make comics, but face a still-hostile direct market, and many hurdles (mainly financial), in a somewhat friendlier, but still difficult, bookstore and convention circuit markets.

The Web has been my number one tool in successful promotion of my work. I used it in 1997 to get around Big Three-centric print comics coverage and go straight to potential readers with news and previews of my books. A connection between me and readers was the reason why my first two books, Cathedral Child and Clockwork Angels, sold exclusively in the Direct Market (my publisher at the time, Image, had no bookstore distro), sold well enough for third and second printings at a time when graphic novels were not small-format books, nor priced at a now-typical $10 a volume, and in a market where most store buyers (but not readers) were not friendly to manga, let alone OEL manga.

In 2003, I used the Web to finish a series I started in print, Rumble Girls. I withdrew RG from Image, but accomplished my goal of finishing it for the readers who'd supported it in print. The Web allowed me to quit seeking work from comics publishers and still enjoy a readership and financial success. This is quite a change from the start of my career where wide readership was virtually impossible without sacrificing rights in exchange for the exposure afforded by being published by the "Big Two", Marvel and DC.

In order to foster women publishing independently, with economy, and as owners of what they create, I will award three grants annually, of a year's free hosting at WebComicsNation.com, to women making webcomics. The recipients will have unlimited data storage and bandwidth, the ability to choose to support their work with ads, and a storefront for selling merchandise.

The name of the grant is "Nan", after the "digital person" Nan 1^1 from Rumble Girls. In RG, Nan agitates, comments on, and works behind the scenes to help the heroine, Raven, come to the understanding that being her own girl is the key to her strength.

I believe the Web already has what women wanting to make comics need, and that it has and continues to transform American comics from a work-for-hire Boy's Club to a stage for everyone to perform on and be seen. The Web is living up to its promise, and comics can, too.

Details and submission guidelines to be announced in early June.

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